A human-shaped case seals a compressed dark volume of air within. The eyes of the figure are closed, suggesting an awareness of this inner space that the artist calls ‘the darkness of the body’. The work’s insulating skin is formed of lead plates that have been beaten over a fibreglass-reinforced plaster mould – an indexical impression of the artist’s body. The plates are held together by vertical and horizontal solder seams that act like latitude and longitude lines over the body. „Learning to See III“  is an invitation for viewers to use the work reflexively and become aware of the body’s dark internal space that has no objects, no edge and the quality of infinite extension.