A multifaceted look at the art of the last fifty years
![„Adam, Eva und die Schlange“ Werke aus der Schenkung Sammlung Hoffmann Ausstellungsansicht, Foto: Roman März, 2021](/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_348bfff963.jpg 350w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_0e79421b5e.jpg 480w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_bdf1b5d83f.jpg 769w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_c172665c24.jpg 992w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_97d2562462.jpg 1200w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_37fa4d06de.jpg 1500w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_56bf3bf500.jpg 1920w,/fileadmin/_processed_/6/d/csm_B0093130_Foto-Roman_M___nrzFoto-Roman_M___nrz_20881b8de5.jpg 2560w)
Intro
The Hoffmann Collection has been a valuable addition to the Staatliche Kunstsammlungen Dresden catalogue since its donation in 2018. Including the works by Jean Michel Basquiat, Miriam Cahn, Isa Genzken, Félix González-Torres, Antony Gormley, Keith Haring, Rebecca Horn, William Kentridge, Julie Mehretu, Barbara Kruger, Ron Mueck, Bruce Nauman, Ernesto Neto, A. R. Penck, Sigmar Polke, Frank Stella, Chiharu Shiota, Wolfgang Tillmans and Cy Twombly, among others, the collection is one of the most important donations in SKD’s recent history.
![Ausstellungsansicht Kunstkammer Gegenwart mit Janet Grau, Rückblick, 2003 Kunstkammer Gegenwart im Schloss](/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__eb230d2dea.jpg 350w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__8c2a59d2b4.jpg 480w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__45f4296b84.jpg 769w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__68774da8aa.jpg 992w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__23c2eb7bd8.jpg 1200w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__fba9b35221.jpg 1500w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__7575db6c03.jpg 1920w,/fileadmin/_processed_/9/a/csm_Janet_Grau_Rueckblick_2003_Kunstkammer_Gegenwart_2023-24_im_Residenzschloss_Dresden_SKD_Foto_Oliver_Killig__3__fc5dcf9dda.jpg 2560w)
Program
Vertreten sind
Following five years of successful collaboration with the SKD and vibrant exhibition activity, substantial portions of the Hoffmann Collection, which have resided in Berlin-Mitte’s Sophie-Gips-Höfe since 1997, are now being relocated to the Kunstkammer Gegenwart. This newly built exhibition area, which is located in what was previously the Fürstengalerie of the Dresden Residenzschloss (Royal Palace), will focus on works that provide a harmonious addition to the SKD collections and can be integrated into them in a particularly enriching way.
Impressionen
![Ron Mueck, Untitled (Shaved Head), 1998 und Sarah Morris, WANTED, 1996 Ron Mueck, Untitled (Shaved Head), 1998 und Sarah Morris, WANTED, 1996](/fileadmin/_processed_/8/6/csm_57_E4A0830_1dafaac452.jpg 240w,/fileadmin/_processed_/8/6/csm_57_E4A0830_c4d6e523c6.jpg 320w,/fileadmin/_processed_/8/6/csm_57_E4A0830_21d385cd00.jpg 360w,/fileadmin/_processed_/8/6/csm_57_E4A0830_eb06cc25f1.jpg 400w,/fileadmin/_processed_/8/6/csm_57_E4A0830_4205697048.jpg 700w)
![Ashley Bickerton, Catalog: Terra Firma Nineteen Hundred Eighty Nine, 1989 Ashley Bickerton, Catalog: Terra Firma Nineteen Hundred Eighty Nine, 1989](/fileadmin/_processed_/1/a/csm_DSC08488_74171ad217.jpg 240w,/fileadmin/_processed_/1/a/csm_DSC08488_aff6c5f3ba.jpg 320w,/fileadmin/_processed_/1/a/csm_DSC08488_2fe2f1032a.jpg 360w,/fileadmin/_processed_/1/a/csm_DSC08488_6edf32c829.jpg 400w,/fileadmin/_processed_/1/a/csm_DSC08488_f0f620a7d9.jpg 700w)
![Monica Bonvicini, NOT FOR YOU, 2006 Monica Bonvicini, NOT FOR YOU, 2006](/fileadmin/_processed_/5/1/csm_Bonvicini_SHO__01859_1d9dd631db.jpg 240w,/fileadmin/_processed_/5/1/csm_Bonvicini_SHO__01859_a97f5c343b.jpg 320w,/fileadmin/_processed_/5/1/csm_Bonvicini_SHO__01859_58fdf4622e.jpg 360w,/fileadmin/_processed_/5/1/csm_Bonvicini_SHO__01859_3c21419001.jpg 400w,/fileadmin/_processed_/5/1/csm_Bonvicini_SHO__01859_9072cb6797.jpg 700w)
![Ausstellungsansicht „Don’t Stop - Werkstatt [Prolog] im Dialog mit der Schenkung Sammlung Hoffmann“, 23.09.2020—30.05.2021 Ausstellungsansicht „Don’t Stop - Werkstatt [Prolog] im Dialog mit der Schenkung Sammlung Hoffmann“, 23.09.2020—30.05.2021](/fileadmin/_processed_/4/8/csm_DSC08650_120960ecf1.jpg 240w,/fileadmin/_processed_/4/8/csm_DSC08650_36d748f897.jpg 320w,/fileadmin/_processed_/4/8/csm_DSC08650_2e279e6526.jpg 360w,/fileadmin/_processed_/4/8/csm_DSC08650_84704dfce6.jpg 400w,/fileadmin/_processed_/4/8/csm_DSC08650_008d7c4cd3.jpg 700w)
![Vanessa Beecroft, VB 53. Tepidarium, Giardino dell’Orticultura, Firenze, Italy, 2004 und VB 48. Palazzo Ducale, Genoa, Italy, 2001 Vanessa Beecroft, VB 53. Tepidarium, Giardino dell’Orticultura, Firenze, Italy, 2004 und VB 48. Palazzo Ducale, Genoa, Italy, 2001](/fileadmin/_processed_/5/7/csm_9386_print_72be139089.jpg 240w,/fileadmin/_processed_/5/7/csm_9386_print_53f9205a5b.jpg 320w,/fileadmin/_processed_/5/7/csm_9386_print_cf1e999794.jpg 360w,/fileadmin/_processed_/5/7/csm_9386_print_bb47635d3f.jpg 400w,/fileadmin/_processed_/5/7/csm_9386_print_011ba74d89.jpg 700w)
![Ernesto Neto, the house, 2003 Ernesto Neto, the house, 2003](/fileadmin/_processed_/b/9/csm_SHO_01056_01_4806165ee1.jpg 240w,/fileadmin/_processed_/b/9/csm_SHO_01056_01_99afea19e8.jpg 320w,/fileadmin/_processed_/b/9/csm_SHO_01056_01_8afedf4fe3.jpg 360w,/fileadmin/_processed_/b/9/csm_SHO_01056_01_a4adeae78c.jpg 400w,/fileadmin/_processed_/b/9/csm_SHO_01056_01_516ff61053.jpg 700w)
![Antony Gormley, Learning to see III, 1993 und Hermann Nitsch, Kreuzwegstation, 1961 Antony Gormley, Learning to see III, 1993 und Hermann Nitsch, Kreuzwegstation, 1961](/fileadmin/_processed_/d/1/csm_Salm_Modern_vystava_F04_2018_foto_Hudacinova_3f90c1167d.jpg 240w,/fileadmin/_processed_/d/1/csm_Salm_Modern_vystava_F04_2018_foto_Hudacinova_4260cf8ee4.jpg 320w,/fileadmin/_processed_/d/1/csm_Salm_Modern_vystava_F04_2018_foto_Hudacinova_08471c6911.jpg 360w,/fileadmin/_processed_/d/1/csm_Salm_Modern_vystava_F04_2018_foto_Hudacinova_aac4ff8ce4.jpg 400w,/fileadmin/_processed_/d/1/csm_Salm_Modern_vystava_F04_2018_foto_Hudacinova_486470756b.jpg 700w)
![Monica Bonvicini, No Head Man, 2009 und Felix Droese, Schule (A-Serie), 1988 Monica Bonvicini, No Head Man, 2009 und Felix Droese, Schule (A-Serie), 1988](/fileadmin/_processed_/c/5/csm_DSC08705_73f55759c6.jpg 240w,/fileadmin/_processed_/c/5/csm_DSC08705_574f8186c0.jpg 320w,/fileadmin/_processed_/c/5/csm_DSC08705_e02cbaef86.jpg 360w,/fileadmin/_processed_/c/5/csm_DSC08705_7962e53710.jpg 400w,/fileadmin/_processed_/c/5/csm_DSC08705_f5354f332f.jpg 700w)
Es entspricht
Erika Hoffmann’s wish is that her donation should not be presented as a closed collection in a fixed location but should be integrated into the SKD museum network and shown throughout Saxony. In addition to having its own exhibitions and being integrated into special exhibitions, an explicit intention behind the donation was to promote the dialogue between contemporary art and museums’ historical collections.